283 Royalty-Free Audio Tracks for "Four Part Harmony"

Annotated musical notation of beginning of refrain from the Christmas carol "Angels We Have Heard on High". Markings illustrate how melodic/harmonic sequence occurs in music.

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

Four-voice texture from the Genevan psalter: Old 124th. Created by Hyacinth (talk) 01:43, 30 January 2012 (UTC) using Sibelius 5.

Dominant thirteenth chord in four-part writing.

Dominant thirteenth: four-voice version.

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

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Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

V of V in C, four-part harmony. From Bach.

V/V-V-I in C, in four-part harmony.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

ii-V-I turnaround in C, in four-part harmony.

ii-V-I turnaround in C, in four-part harmony.

ii-V-I turnaround in C, in four-part harmony.

Dominant eleventh chord in four-part writing.

Quartal harmony in "Laideronnette" from Ravel's Ma mère l'oye. The top line uses the pentatonic scale. Created by Hyacinth (talk) 00:55, 11 November 2011 using Sibelius 5. Illustration of quartal harmony in "Laideronnette" from Maurice Ravel's (1875–1937) Ma Mère l'Oye (1910).

Bach 2-part Invention in B Flat BWV 785

Symphony No. 41 (Mozart)

record of Marcelle Meyer Playing 2 voices invention n°1 enregistrement de Marcelle Meyer jouant l'invention pour 2 voix n°1

Under the title "New Britain", "Amazing Grace" appears in a 1847 publication of Southern Harmony in shape notes. Created by Hyacinth (talk) 07:03, 6 December 2011 (UTC) using Sibelius 5.

Created by Hyacinth (talk) 18:38, 11 December 2011 (UTC) using Sibelius. Pentatonic scale used in Ravel's (1875–1937) Ma mère l'oye (1910) III. Laideronnette, impératrice des pagodes. Source: Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.37. Seventh Edition. ISBN 978-0-07-294262-0.

Invention 8 (BWV 779)

Invention 8 (BWV 779)

Melodic sequence in "God Save the King". The pitches of the first line, "Send him victorious," are repeated, but lower, in the second line, "Happy and glorious,".

C triad open position.

6/8 clave rhythm.

Bach's Invention No. 8 in F Major, BWV 779 performed by the Strolling Strings of the United States Air Force Band. Track 10 from Air Force Strolling Strings 40th Anniversary (1994).

Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.

C-F-B Synthetic chord

Four on the floor on the high hat.

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

Four on the floor on the bass drum. Created by Hyacinth (talk) 00:21, 6 February 2012 (UTC) using Sibelius 5.

Donald MacGillavry

Viennese fourth chord.

Winter from Vivaldi's Four Seasons performed by the Air Force Strings of the United States Air Force Band. Jessica Dan on Violin. Track 5 from Wintertime (1999).

Antonio Vivaldi, Winter mvt 1: Allegro non molto, performed by The USAF Concert Band and Singing Sergeants

Characteristic disco drum pattern: four to the flour with sixteenth note ride pattern.

Schubert Fantasia in F minor bars 98-106

Awadagin Pratt performs the first and fourth movements of Franz Schubert's piano four hand Fantasia in F minor with student pianist Lucy Hattemer at the White House Classical Music Student Workshop Concert. In the 1 hour session this is from about 21:20 - 29:04.

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Example of bitonality. BWV 803. Klavierubung Part III, Duetto II.

Piano Sonata No. 21, 1st movement, second subject

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

Sound of guitar.

Funky guitar loop 114bpm.